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The Love of One 4:590:00/4:59
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Cuckoo's Nest 4:130:00/4:13
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Queen Bee 3:040:00/3:04
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Blade of Grass 4:160:00/4:16
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0:00/4:19
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Lucifer's Blues 5:420:00/5:42
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Parkland 4:290:00/4:29
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Summer Girl 4:070:00/4:07
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0:00/4:02
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I Can't Stand It 4:030:00/4:03
Digital Albums
A Quiet Evil
Lee Harvey Osmond
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Acid Folk was born in an old garage off Clinton Avenue in Toronto, concocted by Tom Wilson, some of the Rodeo Kings, a few Cowboy Junkies, and some Skydiggers.
Allowing bass, hypnotic rhythms and a lot of groove into their songwriting circle, the artist collective LeE HARVeY OsMOND created a sound that would creep out of the Northern woods and across the Great Lakes into the South, the same way The Band did forty years before them.
TEHOHÁHAKE MARKET
A chronicle of The Art of Tom Wilson TEHOHÁHAKE
focused on Tom's major exhibit Mohawk Warriors, Hunters & Chiefs and additional art with introduction and overview by curator, an essay by Tom, interview with Ryan McMahon and fabulous colour representation of the art. Translated from English to Mohawk by Mohawk translation by Karonhí:io Delaronde, edited by Kanien’kehá:ka Onkwawén:na Raotitióhkwa Language & Cultural Centre . Published by Goose Lane Editions
excerpt form the book: Many of Wilson’s paintings are inscribed with text from Beautiful Scars, and here they take flight from the page. Not necessarily legible, the words and stories come alive in a different way. They become integrated into a more complex and layered language. The paintings are of heads and faces that resemble masks whose traditional form and function were to draw forth the inner spirit of the wearer. They look at once ancient and futuristic. The face represents identity. The head is the locus of spirit and imagination. The images also resemble totem pole carvings that evoke and honour animal spirits and human kinship with nature. These paintings depict the hunters, warriors, and Chiefs; the seers, the ghosts, the spirits, and the ancient ancestors.
Produced and performed by Tom Wilson and Thompson Wilson TEHOHÁHAKE For Exhibit is the first release of a series of ambient meditative music from the father and son collaboration. SIDE A For Exhibit Part One (23:51) SIDE B For Exhibit Part Two (23:02)
“Over the course of discovering my true identity, the intention of my writing, my music and my art is to reduce the gap between my indigenous culture and colonialists to make a more patient, loving community.” – Tom Wilson aka LeE HARVeY OsMOND
SiDE A Colours Forty Light Years BAM Kingdom Come Whole Damn World
SIDE B Magic Mohawk Burn of Love A Common Disaster What I Loved About You
"Strays" was the debut studio album released by the Canadian rock band Junkhouse in 1993. This album marked a significant moment in the band's career as it introduced their distinctive sound to a wider audience and laid the foundation for their future success.
“Over the course of discovering my true identity, the intention of my writing, my music and my art is to reduce the gap between my indigenous culture and colonialists to make a more patient, loving community.” – Tom Wilson aka LeE HARVeY OsMOND
By Jason Schneider Published Jun 15, 2009 They say that idle hands are the devil's playthings, and initial impressions of this new project are that a few big CanRock names have too much spare time. The figurehead is ex-Junkhouse dude Tom Wilson, with Michael Timmins of Cowboy Junkies and Andy Maize and Josh Finlayson of Skydiggers making equally significant contributions. What is admirable is that A Quiet Evil doesn't particularly sound like any of those bands. Then again, it's hard to say what it sounds like. Most of the ten tracks go for a kind of spooky, J.J. Cale-like vibe, with "Queen Bee" and "Parkland" coming closest to achieving it. Bonus points have to be awarded for nice covers of David Wiffen's "Lucifer's Blues," and the Velvet Underground's "I Can't Stand It."












